Artworks

• 
  TONY GILES

  MOUSEHOLE HARBOUR, 1972

  Charcoal on paper

  21 1/2 x 29 in. (55 x 74cm)

  Signed, dated and inscribed lower left
• 
  TONY GILES

  COASTAL LANDSCAPE WITH HILLS AND MINE ENGINE

  Oil on board

  20 x 26 3/4 in. (51 x 68cm)
  

  Signed lower right

  £950.00
• 
  TONY GILES

  NEWQUAY HARBOUR

  Oil on board

  21 1/2 x 39 in. (55 x 99 cm)
  

  Signed lower right

  £1,600.00

• 
  TONY GILES

  SEA DEFENCES, TOLCARNE, 1991

  Watercolour on paper

  12 1/4 x 16 in. (31 x 41cm)
  

  Signed, dated 'May '91', and titled lower left

  £550.00
• 
  TONY GILES

  ST MAWGAN AIRFIELD, 1965

  Oil on canvas

  29 1/2 x 39 1/4 in. (75 x 100 cm)

  Signed bottom left with spider and moth motifs, which he included in several paintings of this period. Said to be signed, inscribed and dated 1965 to verso, though this is now concealed by the frame.

  £650.00
• 
  TONY GILES

  VIADUCT AND BRIDGE OVER THE FAL NEAR COOMBE, 1985

  Mixed media on paper

  11 1/2 x 15 1/4 in. (29 x 39cm)
  

  Signed, dated '24-2-85' and inscribed lower right

  £525.00

• 
  TONY GILES

  BOATS IN A SUNNY HARBOUR, 1985

  Oil on board

  19 x 23 1/2 in. (48 x 60cm)
  
  
  

  Signed lower left

  Sold
• 
  TONY GILES

  BOATS AGAINST A HARBOUR WALL

  Oil on canvas

  17 x 39 in. (43 x 99 cm)

  Signed lower left

  Sold
• 
  TONY GILES

  DARK HARBOUR

  Oil on board

  24 x 48 in. (69 x 122 cm)
  
  
  

  Signed lower left

  Sold

• 
  Tony Giles

  DING DONG MINE, AIRCRAFT AND SMOKE, 1992

  Mixed media on paper
  

  21 1/2 x 29 in. (55 x 74cm)

  Signed, dated '92' and inscribed lower right

  Sold
• 
  Tony Giles

  MOUNT HAWKE, CHAPEL , 1971

  Mixed media on paper

  14 x 26 1/2 in. (35.5 x 67.5 cm)

  Signed, dated 25/5/1971

  Sold
• 
  TONY GILES

  PENPOL

  Oil on board

  18 1/2 x 24 1/4 in. (47 x 62cm)
  

  Signed lower right and titled to verso

  Sold

• 
  TONY GILES

  TREFFRY VIADUCT, 1971

  Oil on canvas

  23 1/2 x 23 1/2 in. (60 x 60cm)
  

  Signed, inscribed 'Treffry Viaduct', dated '2/10/71' upper right

  Sold
• 
  TONY GILES

  COTTAGE, SHAFT AND GARDEN, 24-02-1985

  Oil on canvas

  90cm x 90cm
  Unframed, black surround

  Signed, dated 24-2-85 and inscribed bottom right (indistinct)

  Sold
• 
  Wilhelmina Barnes Graham

  THE RED DOLL (Geoff and Scruffy Series)

  Acrylic on paper

  30 1/4 x 22 1/4 in. (76.8 x 56.5 cm)

  Series: GEOFF AND SCRUFFY

  Inscribed to verso

  Sold

• 
  Nancy Bailey

  OLD GRIMSBY, TRESCO

  Oil on canvas

  20 x 29 1/2 in. (40 x 75cm)

  Signed lower right and inscribed to verso with the artist's code '238'
• 
  Garstin COX

  FIGURE BY A RIVER

  Oil on canvas

  9 x 12 in. (23 x 30.5 cm)
• 
  Marguerite Montaut - 'GAMY'

  LE TOUR DE FRANCE AUTOMOBILE, 1913

  Original hand-stencilled pochoir lithograph depicting the "Voiture Majola Pilote par Doutre"
  
  Modern black frame
  
  

  15 3/4 x 31 1/2 in. (40cm x 80 cm)

  GAMY's name is seen by the milestone on the left roadside. Dated 1913 with publishers name bottom right

• 
  Thomas Cooper GOTCH

  A STUDY FOR THE PARABLE OF THE TEN VIRGINS , 1907

  Watercolour heightened with bodycolour on paper
  

  13 1/2 X 19 1/2 in. (34.5 x 50 cm)

  Inscribed to verso with address : Trewarveneth (Paul, Cornwall)

  Sold
• 
  Hans Liska

  POSTER: MERCEDES BENZ - FANGIO, c. 1954

  Lithographic poster

  33 x 23 1/2 in. (83.8 x 59.5 cm)
• 
  A T NASH

  Old Grimsby, Tresco, Isles of Scilly

  Watercolour on paper

  8" x 14" (21 x 35 cm)

  Signed and inscribed lower right

• 
  John OPIE

  PETER THOMAS WESTCOTT, 1793

  Oil on canvas

  20 x 16 in. (51 x 40.5 cm)

  This is one of a set of seven family portraits of the Westcott family. Of these, some are in private collections while two are in the Philadelphia Museum of Art.
• 
  Dod Procter

  MASAI WOMAN

  Oil on board

  17 1/4 x 13 in. (44cm x 33cm)

  Signed and titled to verso
• 
  Charles Walter Simpson

  GENERAL MACARTER AND HORACE STUCK TO THE SADDLE, c. 1930

  Ink and wash on paper
  Framed and glazed

  22 x 17 1/2 (56 x 44.5 cm)

• 
  Charles Walter Simpson

  HORACE AND HILDEBRAND, c. 1930

  Ink and wash on paper

  22 x 17 1/2 in. (56 x 44.5 cm)
• 
  Albert Chevallier Tayler

  Swordsman at a Window, 1888

  Oil on canvas

  23 x 12 in. (50 x 47 cm)

  Signed and dated 'A. Chevallier Tayler '88' lower left

  Sold
• 
  Henry Scott Tuke

  AMBROSE ROUFFIGNAC, 1883

  Oil on canvas

• 
  Nathaniel TUCKER

  A LADY WITH A PARROT, c. 1770

  Oil on canvas

  Signed and indistinctly dated
• 
  Christopher James Tate

  TATE'S CORNWALL: ANTONY HOUSE

  Ink on paper
  Framed and glazed

  Series: From a series of pictures of National Trust buildings in Cornwall
• 
  Christopher James Tate

  TATE'S CORNWALL: COTEHELE

  Inks on paper

  Series: From a series pictures of National Trust properties in Cornwall

• 
  Christopher James Tate

  TATE'S CORNWALL: DURGAN ON THE HELFORD

  Inks on paper
  Framed and glazed

  Series: From a series of pictures of National Trust properties in Cornwall
• 
  Christopher James Tate

  TATE'S CORNWALL: GLENDURGAN GARDEN, THE MAZE

  Inks on paper
  Framed and glazed

  Series: From a series of pictures of National Trust properties in Cornwall
• 
  Christopher James Tate

  TATE'S CORNWALL: LANHYDROCK HOUSE

  inks on paper
  Framed and glazed

  Series: From a series of pictures of National Trust buildings in Cornwall

• 
  Christopher James Tate

  TATE'S CORNWALL: LANHYDROCK CHURCH

  Inks on paper
  Framed and glazed
• 
  Christopher James Tate

  TATE'S CORNWALL: TRELISSICK WATER TOWER

  Inks on paper
  Framed and glazed

  Series: From a series of pictures of National Trust buildings in Cornwall
• 
  Christopher James Tate

  TATE's CORNWALL: TRERICE (double width)

  Inks on paper
  Framed and glazed

  Series: From a series of pictures of National Trust properties in Cornwall

• 
  PETER WARD

  BREAKING WAVE, 1996

  Bronze on a slate base

  10 5/8 in. (27cm) high
• 
  Peter WARD

  TOWARDS A FREEDOM 1, 1985

  Pastel on paper
  Unframed

  9 1/2 x 7 3/4 in. (24 x 19.7 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower left and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 2, 1985

  Pastel on paper
  Unframed

  8 x 9 in. (20.3 x 23 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower left and titled to verso

• 
  Peter WARD

  TOWARDS A FREEDOM 3, 1985

  Charcoal and pastel on paper
  Unframed

  9 1/4 x 9 in. (23.5 x 23 cm)

  Series: TOWARDS A FREEDOM series
• 
  Peter WARD

  TOWARDS A FREEDOM 4, 1985

  Pastel on paper
  Unframed

  10 x 9 1/4 in. (25.4 x 23.5 cm)

  Series: TOWARDS A FREEDOM SERIES

  Initialled and dated lower left and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 5, 1985

  Pastel on paper
  Unframed

  9 1/2 x 8 1/2 in. (24 x 21.6 cm)

  Series: TOWARDS A FREEDOM series

• 
  Peter WARD

  TOWARDS A FREEDOM 7, 1985

  Pastel with charcoal
  Unframed

  8 3/4 x 8 1/2 in. (22.2 x 21.6 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower right and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 8, 1985

  Pastel on paper
  Unframed

  9 x 9 in. (23 x 23 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower right and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 9, 1985

  Pastel on paper
  Unframed

  9 3/4 x 9 3/4 in. (24.8 x 24.8 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower right and titled to verso

• 
  Peter WARD

  TOWARDS A FREEDOM 10, 1985

  Charcoal and pastel on paper
  Unframed

  11 3/4 x 8 5/6 in. (30 x 22 cm)

  Series: Towards A Freedom

  Initialled and dated lower left and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 11, 1985

  Pastel on paper
  Unframed

  10 x 8 in. (25.4 x 20 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower left and titled to verso
• 
  Peter WARD

  TOWARDS A FREEDOM 12, 1985

  Pastel on paper
  Unframed

  13 1/2 x 10 in. (34.5 x 25 cm)

  Series: TOWARDS A FREEDOM series

  Initialled and dated lower left and titled to verso